A peer-reviewed piece on the emerging theory of sensory ethnography and post-humanist cinema
2016, Visual Ethnography Journal
“Solaris. Its light burns right through my eyes. A companion text to the film that does not mean anything but itself.”
- Full title: Tuning Solaris: From the Darkness of a Shopping Mall Towards Post-Humanist Cinema
- Author: Pavel Borecký
- Journal: Visual Ethnography Journal (5/2), 107-137 pages, 2016
- Access: paywall
- Language: English
- Key words: Visual Anthropology, sensory ethnography, atmosphere, empathy, more-than-human, non-representative theory
Abstract
Building upon the audiovisual project on a Tallinn shopping mall, the article outlines the conceptual resources vital to the ethical-aesthetic agenda of sensory ethnography, and links them with the ambitions of an emerging post-humanist cinema.
By doing so it tells the story of a personal struggle for the embodiment of a non-representative and object-oriented stance and challenges the main premises of human-centered observational filmmaking style.
Finally, the article argues that by provoking the experience of disorientation and more-than-human closeness, sensory ethnography can contribute to the birth of a post-human awareness and an ontological reconstitution of our being-in-the-world in the Anthropocene era.
Table of Contents
- Entering the Mall
- Solaris as a Post-modernist Abject
- The Shapes of Humanistic Cinema
- Through the Lands where Things can Speak
- Sensory Ethnography in times of the Anthropocene
- Conclusion
Tuning Solaris – Full Article